In 2/half 15th century The Moscow state is significantly strengthened and gradually annexes the Yaroslavl, Rostov, Ryazan, Tver principalities, Novgorod and Pskov. In 1480, Muscovite Rus' was finally freed from the Monogol-Tatar yoke and in the 1550s. annexes the Kazan and Astrakhan khanates with lands along the entire Volga. The borders of Russia reach the Urals.
The socio-political system of the country is also changing - it is acquiring the features of a single centralized state, headed by a sovereign hereditary monarch. The central government influences all spheres of the country's life - military, judicial, cultural, etc.
The idea of “Moscow is the third Rome” arose, which asserted the continuity of power of the Moscow princes from the Byzantine emperors and was intended to strengthen the autocracy. The unification of all northeastern Russian lands within a single state led to widespread construction activity. Particular attention was paid to Moscow, which attracted numerous craftsmen from other cities.
Under Ivan 3 in 1485-1516. new ones are being built brick walls of the Moscow Kremlin. The work was supervised by Italian masters Marco Fryazin, Pietro Antonio Solari, Aleviz. Ivan 3 sought to use the latest European fortification achievements, but the entire ensemble of walls and towers was based on original Russian traditions. The builders almost completely preserved the location of the walls erected under D. Donskoy, and also preserved the center of the Kremlin with a group of cathedrals and the princely palace. The Kremlin, built from brick, became more majestic and solemn. The walls and towers became taller and more representative (the tower tents were erected in the 17th century). In the 15th century The Kremlin occupied an area of 27 hectares and had the shape of a triangle. The height of the walls ranged from 6 to 17 m, thickness - from 3 to 5 m. The corners and walls were fortified with 18 towers, somewhat protruding from the thickness of the walls. The distance between the towers was determined by the range of flanking fire from 2 adjacent towers.
The main high-rise emphasis of the Kremlin has become pillar of Ivan the Great- a bell tower, 81 m high, from the height of which you can see the surroundings at 24-30 km. The first floors were built in 1505-1508. architect Bon Fryazin. In 1600, presumably under the leadership of Fyodor Kon, the remaining floors were completed. The internal staircase of the tower has 329 steps, and the pyramidal foundation of the bell tower is almost 10 m deep. The bell tower is considered a masterpiece of Muscovite Rus' architecture of the 16th century. Next to the Ivan the Great Bell Tower there is the Assumption Belfry and Filaret's Annex.
Assumption Cathedral - the central building of the Kremlin. Its construction began back in 1472 by Moscow architects Myshkin and Krivtsov, but the almost finished building collapsed. Pskov craftsmen refused to build the cathedral, then Ivan III invited the architect and engineer Aristotle Fiorovanti from Bologna.
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| Assumption Cathedral |
The Annunciation Cathedral harmonizes well with Chamber of Facets, which was built by Pietro Antonio Solari and Mark Fryazin in 1487-1491. The two-story building consisted of two rooms: a vestibule and a main hall on the 2nd floor. The main hall had an area of approx. 500 m2 and was the largest hall in Moscow Rus' at that time. It was covered with a system of 4 cross vaults resting on a powerful square pillar in the center. The walls and vaults of the Chamber of Facets were painted with frescoes, and the white stone floor was covered with flat carvings. There were benches along the walls, and in the right corner of the entrance was the throne of the Grand Duke. The Faceted Chamber received its name from the faceted rustication with which its eastern part is lined.
The third cathedral, defining the Kremlin ensemble - Arkhangelsk(Archangel Michael), was erected by Aleviz the New in 1505-1508. It is based on a traditional composition typical of an ancient Russian temple having a cubic shape, topped with five domes. Aleviz, in the design of the facades, used Renaissance details that organically combine with native Russian forms. The cathedral has a pronounced floor-to-floor division of the facades with cornices; Corinthian pilasters are used instead of blades. The zakomars were decorated with shells, a favorite motif in Venetian architecture, and received a decorative function.
In the second half of the 15th century, when Moscow became political and cultural center Russian lands, the Kremlin was rebuilt with the participation of Italian architects. Its center was Cathedral Square with the Assumption Cathedral built by the architect Aristotle Fioravanti (1475-79) - the tomb of Russian metropolitans and patriarchs, the place of weddings and coronations of great princes, then tsars and emperors. Pskov craftsmen erected the Church of the Deposition of the Robe (1484-88) and the Annunciation Cathedral (1484-89) - the home church of the Moscow sovereigns. In 1505-08, the Archangel Cathedral was built - the tomb of Russian princes and tsars (before Ivan V Alekseevich). The stone sovereign palace (on the site of the modern Grand Kremlin Palace) with the Faceted Chamber (1487-91) completed the design of the western side of Cathedral Square. The Ivan the Great bell tower became the center of the Kremlin ensemble. In 1485-95, around the Kremlin, taking into account the traditions of Russian defensive architecture and the achievements of Western European fortification, the existing walls and towers were built from red brick with internal backfilling made of cobblestones and white stone on lime mortar. The Kremlin became one of the most powerful fortresses in Europe.
INSCRIPTION ABOVE THE GATES OF THE SPASSKAYA TOWER
“In the summer of July 6999 (1491), by the grace of God, this archer was made by order of John Vasilyevich, the sovereign and autocrat of all Rus' and the Grand Duke of Volodymyr and Moscow and Novgorod and Pskov and Tver and Ugra and Vyatka and Perm and Bulgaria and others in the 30th year of the state it was made by Peter Anthony Solario from the city of Mediolan (Milan - ed.).”
ARCHITECTS OF THE NEW ENSEMBLE OF THE MOSCOW KREMLIN
To realize the plan of Ivan III - to turn the Kremlin into a symbol of the Russian state, a demonstration of its greatness and power - architecture was one of the most important means. And the prince turns the Kremlin into a monumental ensemble. Almost all the buildings of the Kremlin - towers, walls, buildings on the central Kremlin square - not only stand in the same places and bear the same names where they began to be built and as Ivan Kalita called them in the 30s of the 14th century, but they even look the same as they looked during the reign of Ivan III...
The prince, on the advice of “Greek Sophia,” invited architects from Italy. The first to arrive from Bologna in 1474 was Aristotle Fioravanti with his son Andrei.
The Italian architect was 58 years old at that time, and he had already gone down in Italian history as the author of palaces, fortresses and fortifications for many Italian dukes and even for the Hungarian king, as the man who moved a huge bell tower from place to place. In Bologna, Fioravanti was about to begin construction of the Palazzo del Podesta, the model of which had so delighted his compatriots. But he went far to the east to enter the history of another people - the Russians.
Aristotle was settled in the Kremlin, given enormous powers, and work began to boil. Ivan III himself understood that the white stone walls were an unreliable defender; they would not withstand cannon fire. The Kremlin should be built in brick. And the Italian first built a brick factory on the Yauza River. The bricks produced at this factory according to Fioravanti’s own recipe were unusually strong. They were narrower and longer than usual, and therefore they began to be called “Aristotelian”.
Having created the general layout of the Kremlin fortress and its center - Cathedral Square, the Italian headed the construction of the Assumption Cathedral - the main cathedral of Moscow Rus'. The temple was supposed to carry a huge “preaching” meaning; it was supposed to announce to the world the birth of a new state, and therefore it was necessary to embody the truly national character of culture. Aristotle began to become acquainted with examples of Russian architecture in Vladimir, in northern Rus', and when, after four years of work, the five-domed cathedral was ready, it captured the imagination of his contemporaries. He looked “like one stone,” and with this feeling of monolith he inspired the idea of the monolithic nature of the entire people. It cannot be considered accidental that a year after the completion of the cathedral, Ivan III refused to pay tribute to the Golden Horde.
In those same years, Pskov craftsmen, still unknown to us, were rebuilding the Annunciation Cathedral - the house church of the royal court. In the basement of this cathedral, a new Treasury Courtyard was built - the Treasury Depository, the deep white stone cellars of which lasted for three centuries. The Treasury was built by another Italian - Marco Ruffo, whose name we associate with another remarkable Kremlin building - the Chamber of Facets - the ceremonial throne room of the future Russian tsars. For the 15th century, the Chamber of Facets represents unique creation: a hall with an area of 500 square meters, the vaults of which rest on only one central pillar.
Marco Ruffo just started this chamber. He completed the work together with the architect Pietro Antonio Solari, who arrived from Italy - one of the legendary builders of the Milan Cathedral. It was Solari who was responsible for the main engineering solution for the Faceted Chamber, which was later named so for the tetrahedral stones with which it is lined. Both architects simultaneously built the stone sovereign's palace.
One can only regret that Solari lived in Moscow so little - in 1493, three years after his arrival, he suddenly died. But even in three years he did too much and, most importantly, brought to life the plan of Ivan III: to turn the Moscow Kremlin into the most impregnable fortress in Europe. The new fortress walls, 2235 meters long, ranged in height from 5 to 19 meters. Inside the walls, the thickness of which reached from 3.5 to 6.5 meters, closed galleries were arranged for the secret movement of soldiers. To prevent enemy undermining, there were many secret passages and “rumors” from the Kremlin.
Its towers became the centers of the Kremlin's defense. The first was erected in the very middle of the wall, facing the Moscow River. It was built under the direction of the Italian master Anton Fryazin in 1485. Since there was a secret spring under the tower, they called it Tainitskaya.
After this, almost every year it is built new tower: Beklemishevskaya (Marco Ruffo), Vodovzvodnaya (Anton Fryazin), Borovitskaya, Konstantino-Eleninskaya (Pietro Antonio Solari). And finally, in 1491, two towers were erected on Red Square - Nikolskaya and Frolovskaya, - the latter would later become known to the whole world as Spasskaya (as it was named in 1658 by a royal decree in the image of the Savior of Smolensk, written above the gates of the tower in memory of the liberation by Russian troops city of Smolensk). The Spasskaya Tower became the main, main entrance to the Kremlin...
In 1494, Aleviz Fryazin (Milanets) came to Moscow. For ten years he built the stone chambers that became part of the Terem Palace of the Kremlin. He erected both the Kremlin walls and towers along the Neglinnaya River. He also owned the main hydraulic structures of Moscow in those years: the dams on Neglinnaya and ditches along the walls of the Kremlin.
In 1504, shortly before his death, Ivan III invited another “Fryazin” to Moscow, who received the name Aleviz Fryazin the New (Venetian). He came from Bakhchisarai, where he was building a palace for the khan. Vasily III already saw the creations of the new architect. It was under him that the Venetian built eleven churches (which have not survived to this day) and the cathedral, which now serves as the decoration of the Moscow Kremlin - Arkhangelsk, designed in the best traditions of ancient Russian architecture. One feels that its creator was greatly influenced by the original Russian culture.
At the same time, in 1505-1508, the famous Ivan the Great bell tower was built. Its architect Bon-Fryazin, having erected this pillar, which later reached 81 meters, accurately calculated that this architectural vertical would dominate the entire ensemble, giving it a unique color.
The construction of the Moscow Kremlin was an outstanding event for its time. Even if we consider the beginning of the construction of the ensemble to be 1475 - the year of the foundation of the last, fourth version of the Assumption Cathedral, and the end of construction - the construction of the last Kremlin fortifications in 1516, we have to admit that all this splendor and power was created in thirty (!) years.
Address: Russia Moscow
Start of construction: 1482
Completion of construction: 1495
Number of towers: 20
Wall length: 2500 m.
Main attractions: Spasskaya Tower, Assumption Cathedral, Ivan the Great Bell Tower, Annunciation Cathedral, Archangel Cathedral, Faceted Chamber, Terem Palace, Arsenal, Armory Chamber, Tsar Cannon, Tsar Bell
Coordinates: 55°45"03.0"N 37°36"59.3"E
An object cultural heritage Russian Federation
Brief history of the Moscow Kremlin
In the very heart of Moscow, on Borovitsky Hill, the majestic Kremlin ensemble rises. It has long become a symbol not only of the capital, but of all of Russia. History itself decreed that an ordinary Krivichi village, located in the middle of the forest, eventually turned into the capital of a mighty Russian state.
The Kremlin from a bird's eye view
The Kremlin or Detinets in ancient Rus' was the name given to the central, fortified part of the city with a fortress wall, loopholes and towers. The first Moscow Kremlin, built in 1156 by Prince Yuri Dolgoruky, was a wooden fortress surrounded by a moat and rampart.
During the reign of Ivan I, nicknamed Kalita (money bag), oak walls and towers were erected in Moscow and the first stone building was laid - the Cathedral of the Assumption of Our Lady.
View of the Kremlin walls from the Kremlin embankment
In 1367, Grand Duke Dmitry Donskoy surrounded the Kremlin with a powerful fortress wall made of white limestone. Since then, the capital has received the nickname “White Stone Moscow”. Large-scale construction began under Ivan III, who united a significant part of the Russian lands around Moscow and built a residence worthy of the “Sovereign of All Rus'” in the Kremlin.
Ivan III invited architects from Milan to build fortifications. It was in 1485 - 1495 that the walls and towers of the Kremlin that still exist today were built. The top of the walls is crowned with 1045 battlements in the shape of a “swallowtail” - they have the same appearance as the battlements of Italian castles. At the turn of the 15th - 16th centuries, the Moscow Kremlin turned into an impregnable massive fortress, lined with red brick.
View of the Kremlin from the Bolshoy Kamenny Bridge
In 1516, a ditch was dug along the fortifications overlooking Red Square. After the Time of Troubles, the towers were decorated with tents, giving the Kremlin a modern look.
The miraculous return of the shrine of the Moscow Kremlin
The main one of the 20 towers of the Moscow Kremlin is rightfully considered Spasskaya, created by the Italian architect Pietro Antonio Solari. The Spassky Gate has long been the main entrance to the Kremlin, and the chimes placed in the tower's tent are known as the main clock of the country. The top of the tower is crowned with a luminous ruby star, but after the collapse of the USSR there are increasingly calls to remove the star and erect a double-headed eagle in its place. The tower got its name from the icon of the Savior of Smolensk over the gate.
View of the Kremlin from the Bolshoi Moskvoretsky Bridge
The icon was revered by saints, so men, passing through the gate, in front of the image of the Savior had to take off their headdress. Legend has it that when Napoleon was passing through the Spassky Gate, a gust of wind tore the cocked hat off his head. But the bad omens did not end there: the French tried to steal the gilded robe that adorned the image of the Savior of Smolensk, but the ladder attached to the gate overturned, and the shrine remained unharmed.
During the years of Soviet power, the icon was removed from the tower. For more than 70 years, the shrine was considered lost, until in 2010, restorers discovered a metal mesh hiding the image of Christ under a layer of plaster. On August 28, 2010, on the feast of the Dormition of the Virgin Mary, Patriarch Kirill solemnly consecrated the newly found icon above the gates of the Spasskaya Tower.
Beklemishevskaya Tower
Legends and myths of the Kremlin
From time immemorial, the Moscow Kremlin was not only a symbol of the unlimited power of the sovereign, but also a place about which legends were written. Over the long history of the Kremlin churches and towers, so many legends have been created that would be enough for a whole book.
The most famous legends tell about secret dungeons and underground passages. It is believed that they were invented by Italian architects who designed and built the Kremlin walls and towers. Many underground rooms have been preserved under the former Chudov Monastery, which until the 1930s was located in the eastern part of the Kremlin Hill. These are passages, interiors of temples and long galleries. Today, some of them are flooded with groundwater.
Eternal flame at the walls of the Kremlin
There are rumors among Muscovites that previously there were branched roads leading out from each of the Kremlin towers. underground passages. The same secret passages connected everything royal palaces. When builders began digging a large foundation pit for the State Kremlin Palace in the 1960s, they discovered three underground passages dating back to the 16th century. The dungeons were so wide that you could drive a cart through them.
Underground passages were found during every major reconstruction. Most often, voids, gaps and labyrinths were walled up or simply filled with concrete for safety reasons.
Spasskaya Tower
One of the secrets of the Moscow Kremlin is also connected with its dungeons. For several centuries now, historians and archaeologists have been struggling with the mystery of the disappearance of the library of Ivan IV the Terrible, which is also called Liberia. The Russian sovereign inherited a unique collection of ancient books and manuscripts from his grandmother Sophia Paleologus, who received these books as a dowry.
In historical documents there is an inventory of the library, consisting of 800 volumes, but the collection itself disappeared without a trace. Some researchers are convinced that it burned down in a fire or disappeared during the Time of Troubles. But many are sure that the library is intact and hidden in one of the Kremlin dungeons.
View of the Assumption, Annunciation Cathedrals and Cathedral Square
The discovery of books in storage facilities located underground was not an accident. When Sophia Paleologus arrived in the city in 1472, she saw the terrible consequences of the fire that raged in Moscow two years earlier. Realizing that the library she brought could easily perish in a fire, Sophia ordered a spacious basement, which was located under the Kremlin Church of the Nativity of the Virgin Mary, to be equipped for storage. After this, the valuable Liberia was always kept in dungeons.
View of Cathedral Square and Ivan the Great Bell Tower
Cathedrals of the Moscow Kremlin - “altars of Russia”
Today the Moscow Kremlin is both the place of work of the President of the Russian Federation and a historical and cultural museum. Historical Center The Kremlin is represented by Cathedral Square with three cathedrals- Uspensky, Arkhangelsky and Blagoveshchensky. An old proverb says: “The Kremlin rises above Moscow, and above the Kremlin there is only the sky.” That is why all the people honored the tsar’s decrees, which he proclaimed in the Assumption Cathedral.
This temple can rightfully be called the “altar of Russia.” In the Assumption Cathedral of the Kremlin, kings were crowned kings, the next head of the Russian church was elected, and in the tombs of the temple the relics of Moscow saints found eternal rest. The Archangel Cathedral, from 1340 until the 18th century, served as the tomb of Moscow princes and kings.
Archangel Cathedral of the Moscow Kremlin
Under its arches, tombstones are placed in strict order on white stone slabs. The Annunciation Cathedral was the personal house of prayer for the Moscow princes: here they were baptized, confessed, and got married. According to legend, the grand ducal treasury was kept in the basement of this temple. The Cathedral Square is surrounded by the Ivan the Great Bell Tower, Faceted and Patriarchal Chambers. Meetings of the Boyar Duma and Zemsky Sobors were held in the Faceted Chamber, and the office of the Holy Synod was located in the Patriarchal Palace.
Sights of the Moscow Kremlin
The younger buildings of the Kremlin include the Grand Kremlin Palace, built in the mid-19th century by order of Emperor Nicholas I. Today, the ceremonial residence of the President of Russia is located within its walls.
Tsar Cannon
In the palace halls, inauguration ceremonies for the President are held, state awards and credentials are presented. In one of the palace buildings the Diamond Fund of the Russian Federation and the Armory Chamber are located - a treasury of palace items. In the Kremlin, on pedestals stand the Tsar Cannon weighing 40 tons and the Tsar Bell weighing 200 tons - masterpieces of Russian foundry craftsmanship. Due to their gigantic dimensions, they are not suitable for their intended use, but they have become symbols great Russia. The Kremlin is always crowded. Guests admire the enduring beauty of architectural creations that personify Russian history. As M.Yu. wrote Lermontov in “Panorama of Moscow”, nothing can compare with this Kremlin which, “surrounded by battlements and golden domes of cathedrals, reclines on high mountain, How crown of sovereignty on the forehead of the formidable ruler."
Attraction rating
The architecture of the Moscow Kremlin allows you to get a complete picture of how the center of the Russian capital was originally structured. includes temples, squares, chambers, buildings. Today, all these are attractions that guests and tourists come to see from all over Russia and from abroad.
Construction of the Kremlin
The architecture of the Moscow Kremlin was formed at the end of the 15th century. The main towers and walls were built in 1485-1495. Red brick and white stone with lime mortar were used. It is worth noting that local craftsmen were not sufficiently qualified for such work. Therefore, foreign specialists were invited. Ivan III hired architects from Italy to build the Moscow Kremlin.
However, some towers were still erected by Russian craftsmen. The fact is that their shape resembles characteristic wooden structures. As is known, at that time the art of carpentry in Rus' reached its perfection, which was facilitated by the universal material itself, and work was constantly required, since periodically large fires destroyed all buildings. To avoid this, stone was used in the construction of the Moscow Kremlin.
Assumption Cathedral
One of the main buildings of this architectural ensemble- Assumption Cathedral. It was erected on the site of the first stone cathedral in Ivan Kalita in the first half of the 14th century. The architecture of the Moscow Kremlin is largely determined by this building.
Construction of the cathedral began in 1475. A similar religious building in Vladimir of the 12th century was taken as a model. Thus, the continuity of Moscow in relation to Vladimir, which was previously considered one of the main cities of Rus', was once again emphasized.
Over the next 400 years it was main temple in Rus'. It was here that all rulers were crowned kings. The main entrance is located on the side of Cathedral Square. The entrance to this one is guarded, as it were, by the Archangel Michael, whose figure is depicted above the arch. Even higher is the Virgin and Child.
The iconostasis, which we can see today in the Assumption Cathedral, was made by icon painters of the Trinity-Sergius Lavra in the middle of the 17th century.
During the Patriotic War of 1812, the buildings of the Moscow Kremlin were looted and devastated. This cathedral was no exception. Russian Cossacks later recaptured part of the loot from the French.
Blagoveshchensky cathedral
The architecture of the Moscow Kremlin cannot be imagined without the Annunciation Cathedral. It is located in the southwestern part of Cathedral Square. It was built at the end of the 15th century. The work was carried out by Pskov craftsmen.
During the reign of Ivan the Terrible, a porch with a high porch made of white stone was added.
This Kremlin was built in the traditions of early Moscow architecture. Today, the frescoes of the cathedral, which appeared at the beginning of the 16th century, are of great interest. The main merit belongs to the artel of artists, which was led by Theodosius and his son Dionysius. There are many stories on the theme of the Apocalypse. You can also find secular motifs. For example, Russian princes and Byzantine emperors.
The floor of this cathedral is unique. It was laid with special tiles made of precious agate-like jasper.
Cathedral of the Archangel
This cathedral within the walls of the Moscow Kremlin appeared at the beginning of the 16th century. It was built by the invited Italian architect Aleviz Novy. At the same time, he followed the traditions of Russian architecture. The features of the Italian Renaissance are visible only in the rich decoration of the temple.
Its construction was carried out on the site of the ancient Archangel Cathedral, which was erected by Ivan Kalita in the 14th century, in memory of the deliverance of the capital from widespread famine. It was dismantled due to its cramped space, making way for a more spacious temple.
The cathedral is crowned with five domes. The central one is gilded, and the side ones are simply painted with silver paint. Carved white stone portals are made in the Italian Renaissance style.
During the capture of the capital by Napoleon, a wine warehouse was located here. The French set up a kitchen on the altar and stole all the valuables.
Church of the Deposition of the Robe
Also noteworthy is the small church built by domestic craftsmen at the end of the 15th century. It appeared on the site of the old wooden Church of the Deposition of the Robe, which was built after the Tatars retreated from Moscow.
In 1451, they came close to the city, but did not storm it, but retreated, abandoning all the loot. Orthodox Church gave it religious significance, considering it a miracle. In reality, the Tatars retreated due to political disagreements between the military leaders.
The new church was seriously damaged by fire in 1737. It was restored by the architect Michurin.
Armouries
The chambers of the Moscow Kremlin are of great interest to tourists today. The first mention of the valuables that are today in the Armory can be found in 1339. Even during the time of Ivan Kalita, the formation of princely treasures began. Among them were jewelry, dishes, church vessels, expensive clothing and weapons.
At the end of the 15th century, one of the centers of Russian artistic crafts was located here. In addition, gifts from foreign embassies were brought here. Pearls, ceremonial horse harness.
By 1485, the treasury had grown so much that it was decided to build a separate two-story stone building between the Annunciation and Archangel Cathedrals. It was called the government yard.
Faceted Chamber
The Faceted Chamber of the Moscow Kremlin is one of the few parts of the palace that have survived from the time of Ivan III. This was his ceremonial throne room. This is the oldest civil stone building in Moscow.
It was built in 4 years Chinese masters with the help of invited Italians - Pietro Solari and Marco Ruffo.
The chamber is a square hall in which they rest on a pillar in the center of the room. The 9-meter-high hall is illuminated by well-placed 18 windows, as well as four massive chandeliers. The total area of the Faceted Chamber of the Moscow Kremlin is almost 500 square meters.
At the end of the 16th century, its walls were painted with church and biblical scenes. For centuries, the most important events in the history of the Russian state were celebrated here. Foreign embassies and delegations were received here, and the Zemsky Sobor met here. Victories of Russian weapons were regularly celebrated in the Faceted Chamber. For example, Ivan the Terrible and Peter I celebrated the victory over the Swedes at Poltava.
Red Square
Red Square of the Moscow Kremlin appeared in the 15th century. Today it is one of the symbols of not only the capital, but also the country, its calling card.
It was founded by Ivan III, who ordered the demolition of all wooden buildings around the Kremlin. Because they seriously threatened him with fire. This place, by his order, was allocated for trade. Therefore, Red Square was originally called Torg. True, this did not last long.
Already in the 16th century it was renamed Trinity. Because of the nearby Holy Trinity Church. Later, St. Basil's Cathedral appeared in its place. Judging by the documents, in the 17th century the square was called Pozhar. At the same time, one should not forget an interesting toponymic feature Ancient Rus'. At that time, the same object could simultaneously have several official names.
Red Square officially began to be called that only in the 19th century. Although in some documents this name dates back to the 17th century. The meaning of this name, according to Vladimir Dahl’s dictionary, is that among our ancestors the word “red” meant beautiful, excellent.
Over the centuries, using the example of Red Square, one can trace how the Moscow Kremlin has changed. In the 15th century it appeared here with the famous towers - Senate, Spasskaya and Nikolskaya. In the 16th century, St. Basil's Cathedral and Execution Place. In the 19th century - Historical Museum, Upper shopping arcade, which is now called GUM, a monument to Minin and Pozharsky. The 20th century brought the Mausoleum and necropolis near the Kremlin wall to Red Square.
St Basil's Church
This temple was built in the middle of the 16th century. It was erected in honor of the capture of Kazan by Russian troops. The building is a grandiose structure of 9 pillars that rise above the ground floor, connected by a gallery. The composition is united by a central pillar, which is crowned with tents with a decorative dome at the top. Many come to Moscow specifically to see this temple with their own eyes.
Eight pillars surround the central tent. All others end with onion-shaped chapters.
From the side of the Spasskaya Tower, two porches lead to the terrace of the temple. From there you can get to the bypass gallery. Tourists and residents of the capital are still impressed by the colors of the temple, even though they were made several centuries ago. St. Basil's Cathedral was painted by real masters. They used exclusively natural colors in combination with white stone and red brick. The smallest details are made from the latter. The bright painting was done in the 17th century. When later extensions appeared, they included a bell tower and a chapel of the temple in the northeast. The names of the architects who erected this iconic religious building have survived to this day. Their names were Posnik and Barma.
